The Cambridge Companion to Sam Shepard opens with a transcribed interview between Matthew Roudané, the collection's editor, and Shepard himself. The dialogue, like its subject, waxes and wanes across a hundred subjects, painting a picture of a man drenched in American myth.
If you've never heard of Kuso an independent film by rapper turned movie maker Flying Lotus, you're not alone. The movie is a niche film that has become a gross fascination for independent film lovers and free spirit creatives
If, judging by the trailers, the summer’s great female assassin film will not be Atomic Blonde, but Jung Byung-gil’s The Villainess, I know from having just seen it that so far the summer’s great action film isDerek Kwok’s Wu Kong with its repeated tagline, “My name will be remembered a million years, Sun Wu Kong.”
What does a revolution look like in 2017? In our cable news-facilitated present moment in which the unified voting patterns of white Americans are portrayed as a silent revolution of sorts, it’s almost hard to imagine a time when groups like The Black Panthers were even able to be revolutionary in their willingness to exercise their second amendment right to bear arms.
Present meets the past in Max Vernon’s time-traveling new musical The View Upstairs, which opened last month at the Lynn Redgrave theater. The musical is set in the eponymous UpStairs Lounge, a seventies gay bar and safe haven for the LGBT community located in New Orleans’ French Quarter.
There’s lots of action along with music in The Present (including The Clash before each act and the odd Europop sensation, Haddaway), drinking, dancing, and Blanchett, in one scene, pulling off her black bra before firing a shotgun into the air (multiple times).
What does it mean to be normal? And is normalcy a guarantee of happiness? This is a thematic question that has animated countless films, plays, and novels--be it a high school comedy or historical epic, the desire to fit in is an animating force throughout one's life just as it is in film,
Year after year tinsel town can be counted upon to roll out an entire army of films featuring grizzled, muscular men, predictably going about doing what grizzled, muscular men do best—namely kicking ass and taking names all while stoically continuing to be grizzled, muscular men.
The Wasted Times is a powerful, multi-layered, richly lived film about a cat-and-mouse battle for power between the Japanese and Chinese in Shanghai in the years running up to the Japanese invasion of the city in 1937.
It's a brisk autumn day and I'm standing in front of the SVA Theater on 23rd Street in Manhattan, looking at hundreds of people lining up for the DOC NYC Festival. Marc Levin and Mark Benjamin have invited me, a second time, to come see the world premier of their new documentary "Rikers".
In 1992, after the first read through of Anna Deavere Smith’s play Fires in the Mirror, a one-woman show examining the 1991 riots in Crown Heights, Brooklyn, Smith received an apathetic response. Everybody in the audience, made up largely of theater professionals, she recalls, “said that no one will care about this play.”
In playwriting (or screenwriting) there is a golden rule that if a gun is introduced onstage it has to go off by the final curtain. In EQUITY, the first movie about Wall Street to be written, directed, produced and financed by women, there is a gun that doesn't go off and the silence is deafening.