What does a revolution look like in 2017? In our cable news-facilitated present moment in which the unified voting patterns of white Americans are portrayed as a silent revolution of sorts, it’s almost hard to imagine a time when groups like The Black Panthers were even able to be revolutionary in their willingness to exercise their second amendment right to bear arms.
Present meets the past in Max Vernon’s time-traveling new musical The View Upstairs, which opened last month at the Lynn Redgrave theater. The musical is set in the eponymous UpStairs Lounge, a seventies gay bar and safe haven for the LGBT community located in New Orleans’ French Quarter.
There’s lots of action along with music in The Present (including The Clash before each act and the odd Europop sensation, Haddaway), drinking, dancing, and Blanchett, in one scene, pulling off her black bra before firing a shotgun into the air (multiple times).
If you looked down from the sky or had an aerial view of the Memorial ACTe (Caribbean Centre for the Expressions and Memory of African Slave Trade & Slavery), the new memorial museum that opened in Guadeloupe in 2015
Sarah Van Gelder reminds me of myself when she starts her book, The Revolution Where You Live: Stories From A 12,000 Mile Journey Through A New America. When she was seven, her father took his family along on exchange to a university at Andra Prades, India. While there, she formulated some questions that I also pondered in my early years: “Why do we tolerate so much suffering?
The painting by Missouri student David Pulphus, 18, was hung there after he won a local art competition in Clay’s district. Nobody objected to it until earlier this month, when police organizations began raising objections to the painting’s depiction of an officer as a pig.
"WORD: The Anthology" is a landmark literary publication by A Gathering of the Tribes, featuring 50 never-before-seen poems by the luminary writers who helped shape the East Village arts & culture organization