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  • BACK TO THE WALL

    "Back To The Wall"is an evolving ongoing, bi- monthly attempt by many and diverse artists to keep Tribes as alive, vital ,and relevant as it has been for the last 18 years by keeping it solvent. The back wall of Tribes Gallery will be covered salon style, by as many small and affordable works as possible, priced low enough (between$30 and $300) to keep them flying "off the wall." The inaugural exhibition opens March 19th,6-9pm and thereafter every two months. Come check it out! Steve Cannon, Tribes guiding spirit, is there almost every day. His number is: 212 674 8262. Back to the wall is loosely curated by Angela Valeri

  • Yolene Legrand Calendars

    2009 wall calendars featuring the art work of the internationally known, Haitian-born, New York artist Yolene Legrand are now available for purchase at Tribes. This beautiful calendar, on high quality semi-gloss paper is 12" x 12" and has different images for each month.


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A Memoir of Creativity, Piri Halasz’s new book, unites art theory, politics, journalism & memoir into a fluid whole. Its point of departure is a theory about abstract painting that defies the dictionary.  Halasz argues that instead of being non-representational, abstract painting can be seen as a new, “multireferential” form […]



“I think Spic Chic is strong stuff, right in the Nuyorican tradition. Poems and then stories back into poems that are often emotionally moving. A self exploration in a non-chronological history consistent in language and point of view, it is clearly a highly personalized work that is successful in the Nuyorican free-style genre and successful in the broader sense as well.” David Henderson, author, ‘Scuse Me While I Kiss The Sky: Jimi Hendrix Voodoo Child



Latest Reviews

Review of Love-Lies-Bleeding

LOVE-LIES-BLEEDING
    A play by Don De Lillo
    Reviewed by Bonny Finberg
    As Aristotle stated that a man doesn’t know his life until he dies, Don De Lillo asks: what is a life and whose are we living?
    Love-Lies-Bleeding, his third and latest play, also the name of an ornate plant with hanging […]


Review of America’s Child

AMERICA’S CHILD by Susan Sherman
      reviewed by Bonny Finberg
       The phenomenon of the Sixties did not arrive via Zeus’s head, pre-fab with a face and a name. It was the frisson created between dissidents and revolutionary thinkers, from both the political and cultural spheres, and the powers that be. […]


Review of ON BEAUTY

      By Zadie Smith

      Reviewed by Bonny Finberg

      I’ve been thinking about reincarnation and Zadie Smith— wondering if the tremendous insight and breadth of her vision are the result of many lives lived. But the more I think about it, the more convinced I become by the simpler idea that she experiences […]


Review of Lucky Girls

Lucky Girls by Nell Freudenberger
   Reviewed by Bonny Finberg
        Nell Freudenberger’s first story ever to be published, the title story of this collection, was chosen as one of four by “debut writers” for the New Yorker 2001 Summer Fiction Issue. Her first book, a collection of  skillfully wrought short […]


Review of Inheritance of Loss

“Tötest du einen, bist du ein Mörder. Tötest du viele, bist   du ein Held. Tötest du ALLE, bist du eine Legende.”
“If you kill one, you are a murderer. If you kill many, you are a hero. If you kill ALL, you are a legend.
—Posted by the moderator, “Frontsoldat,” of “Deutschland” […]



Latest Poetry

Towards a Post War Language

Towards a post war language.
The time has come        The people said
To talk of other things.         Not of kings and crowns
Of wealth and boundries                     But of life.
It is time to say this loudly                And In every tongue,
Damn the Damners who damn things up
Who hurt the flow so they can       Grow big bellies on the bloody bodies  Of Enemies, perhaps red, perhaps […]


A Thousand Ways

To put very simply
There must be a thousand ways
Out here in the ozone
Someone asked me once a long time ago
How one becomes a poet
So I inquired as to had he dreamed that night
To wake up and write it all down
Desperately
Then, soon, I told him
It wouldn’t be long
He’s be dreaming all the time
awake or asleep
Of his […]



Latest Essays

CRUCIFICTION

    by
    Bonny Finberg
    While the bombs fell between the 20th and 21st of April 1944, people prayed at the feet of the Crucifixion at Sacre Coeur. Montmartre was spared. I can’t help but feel it was their collective prayer that saved them rather than the stilled heart of a dead man, as […]


Idea Kitchen

SUNDAY, July 5,   3 - 5:30 pm 
Paul Pinto:
My Very Special Recital
Gathering of the Tribes
285 E 3 St., 2nd Fl., (Bet C & D)
(212) 674–3778 info@tribes.org
Coordinated by patrick brennan & Steve Cannon

http://www.sonispheric.net/IdeaKitchen.html
http://www.myspace.com/ideakitchen
1st Sunday of each month 3 — 5:30 pm
a new guest composer each month
 
the project
This is an unfunded musician initiative for musicians […]



Latest Fiction

Free 2 HOUR mamboXman DVD for first 100 pre-orders of Spic Chic

“(Luis) Chaluisan’s unique and pioneering show combines the music and theater worlds into one energetic performance; Influenced by the honest emotions of the blues and the pulse and rhythm of street salsa … no one will go home disappointed.”
Noah Fowle - Bronx Times


The Manhood Test

He remained on the couch for another hour or so, his half-erect penis cupped in his left hand. He heard the muezzin’s incantations, “Allahu Akbar, Allahu Akbar” (God is Great! God is Great!), calling the faithful to the first of their five daily worships to the Creator. He gently rubbed his penis and listened:



Latest Videos

Free 2 HOUR mamboXman DVD for first 100 pre-orders of Spic Chic

“(Luis) Chaluisan’s unique and pioneering show combines the music and theater worlds into one energetic performance; Influenced by the honest emotions of the blues and the pulse and rhythm of street salsa … no one will go home disappointed.”
Noah Fowle - Bronx Times


Steve Cannon for President!

www.News3Online.com


Photography Exhibition of Works by John Ranard (1952-2008)

A Gathering of the Tribes Gallery in East Village, NYC, will be holding an exhibition of works of the late documentary photographer, John Ranard, with an opening reception on September 6. Ranard’s work is collected by the Brooklyn Museum, the Andrei Sakharov Museum in Moscow, the University of Louisville Fine Print Archives, and the well-known collection of the musician Graham Nash. Ranard passed away in New York City in May of this year of liver cancer.
Ranard is known particularly for his portfolio on boxing, The Brutal Aesthetic, his documentary work on the collapse of the Soviet Empire, and his photographic investigations of the Russian prison system and the epidemic of AIDS in Russia. Portions of The Brutal Aesthetic were published in the book On Boxing in 1987, a collaboration with Joyce Carol Oates and a classic of the genre which remains in print. Ranard’s portfolios on the crumbling of the Soviet Union appeared in Granta magazine and the Ontario Review, and his photographs on AIDS in Russia appeared in a photo essay in The New York Times in 1997 which won First Place for Issue Reporting Picture Story by the National Photographers’ Association for that year. His work on AIDS in Russia was supported by the Soros Open Society Institute, AIDS Foundation East-West, and Médècins Sans Frontières.

According to the family, Ranard left an oeuvre of numerous other portfolios on topics he regularly investigated and interpreted, in his characteristically edgy, and sometimes nuanced, black-and-white style: East Village life in New York City; themes in Louisville, Kentucky, a second home; sports and spectacle in America in the early 1980s; and a much lesser-known portfolio on weddings, I Do.
In an obituary in The Washington Post, Matt Schudel quoted Joyce Carol Oates on Ranard’s photographs, “They’re very poetic. They’re the highest kind of journalism, where it passes into art.” In an article published in The Villager, Q. Sakamaki, a Japanese ex-pat photographer in America, said of Ranard, “He’s a real, great photographer…very talented, especially his composition. If he is lucky, he could have been one of the best photographers in the world–in the opinion of photographers.”
John Penley, an East Village activist, said, “He was very much the classic photojournalist. He would concentrate on one subject—he didn’t just pick one story and then jump to another. He really dedicated his life to that.”
A broad spectrum of Ranard’s work will be showing at the Tribes Gallery, on view from September 4-30, with the opening reception on September 6, 7-10 PM.
On September 6 the Ranard family will be holding a Memorial Service for John, at St. Marks Church in-the-Bowery at 5 PM (131 East Tenth Street at Second Avenue), where a slide show will be presented of some 80 of Ranard’s iconic works. Friends and media are invited to attend. Please RSVP merry.esp@verizon.net if you can.