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    Jazz in August...Charlie Parker Festival -- concerts, art, readings and more! Stay tuned for details; sign up on our mailing list. (see contacts for more information)
  • Yolene Legrand Calendars

    2009 wall calendars featuring the art work of the internationally known, Haitian-born, New York artist Yolene Legrand are now available for purchase at Tribes. This beautiful calendar, on high quality semi-gloss paper is 12" x 12" and has different images for each month.

  • Charlie Parker Festival(link)


    August 7, 2008- August 29, 2008
    Venue: Tribes Gallery
    Address: 285 East Third Street, 2nd Floor, New York, NY 10009

    Thur. August 7th, 6-9 pm: “Bird in the Bush” – Group art exhibition

    7 pm: Live music by Search

    Artists include: Itziar Barrio, Dianne Bowen, Stephanie Colonna, Robyn Desposito, Nikki Johnson, Hilary Maslon, Kelley Meister, Grace Rim, Emily Steinfeld, Angela Valeria, Chin Chih Yang, Alessandra Zeka

    Sun. August 10th: “Dead Bird Films” (Films from the year of Charlie Parker’s death)

    In Tribes Garden

    8 pm: Ryder Pales – Live Concert

    9 pm: Film Screening – “The Man With the Golden Arm” (1955 Frank Sinatra)

    Tues. August 12th: 7-9 pm: Piano and Cello Duo featuring Francesca Tedeschi and Noelle Casella

    Sat. August 16th: “Bird in the Bushes”

    In Tribes Garden

    5 pm: Poetry Reading featuring Erich Christiansen, Steve Dalachinsky, John Farris, Merry Fortune, Yuko Otomo, Amy Ouzoonian, Eve Packer

    7 pm: Live Music - Will McEvoy Ensemble

    8 pm: Live Music - Bobby Sanabria’s Quintet

    Sat. August 23rd: “Love Does Not Make My Cat Play Ragtimey”

    8 pm: Multimedia Performance and music featuring Sabrina Chapadjiev, Joseph Keckler and Chavisa Woods

    Sun. August 24th: In Tribes Garden

    6 pm: Acoustic Jam – Flash-Back Puppy Band featuring Denmark’s Carsten “Nado” Kragelund Adrian Chan, Cello plus an Open Mic

    Fri. August 29th: “Charlie Parker Birthday Block Party” – Free!

    2-9 pm: Day-long Street Fest featuring:

    An Artist Flea Market

    An Open Mic in the East 3rd St. Community Garden.Sign up begins at 2 pm and the event lasts until 5 pm (all types) with featured poets Jennifer Blowdryer, Steve Dalachinsky, Hattie Gosset, Tom Savage, Danny Shot, Chavisa Woods, and Susan Yung

    7 pm: Street Concert featuring the Stumblebum Brass Band

    Contributions are accepted at the door $7

    This event is sponsored in part by: Capital One Bank, Poets and Writers, Loisaida Drugs, the DCA, the L Magazine, Astor Wines & Spirits, Chez Betty Café, Councilwoman Rosie Mendez, Phil Hartman, Anyssa Kim, Robert Mnuchin, Jeanne Greenberg Rohatyn and other private donors.


  • Events Calendar

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Saturday September 13th 2-4pm Memorial reading of I Dream About You Baby, poems by Lester Afflick at the St. Marks Poetry Project located at 131 East 10th Street @ 2nd ave.


`
FLY BY NIGHT PRESS NY 2008
 
Tuesday, November 25th
6pm - 9pm
White Box 329 Broome St. New York
www.whiteboxny.org
212-714-2347

 

In November 2008 Pink Car Crash, a book of images by the contemporary visual artist Itziar Barrio was released by Fly by Night Press with the support of the Cultural Department of […]






Latest Reviews

Review of: Ma Jian, Beijing Coma, trans. Flora Drew (New York: Farrar, Straus and Giroux, 2008)

In Remembrance of Things Past, as we’ve all read, the author is able to recall events from the distant past with tremendous sensory detail after tasting a madeleine cake. In Ma Jian’s Beijing Coma, a similarly monumental recall is instituted, not by an experience, but by a unique situation. Struck down by a bullet to the head, the protagonist lies comatose in bed, but, while unable to move, communicate or see, he can still think clearly. Being taken care of by his isolated mother, a retired singer, he has little to occupy his mind but memories, particularly of the 1989 Tiananmen Square protests in which he was one of the leaders, and at which, when the military cracked down, he was shot.


Prospect 1 Log #1: 11.8.08 & 11.9.08

From what I’ve heard, in biennial organizer Dan Cameron’s description and in other reviews, much of the art in this city-wide exhibition will have New Orleans as its subject. This is quite a difference from other biennials, which are often just a collection of the last 2-4 years of Chelsea hits from disparate sources. Instead, this exhibit will feature work made specifically for this site, unveiling the interpretations and reflections on New Orleans of the international contemporary artist. We in the audience will see what they have to say about the place and events surrounding their art.


Review of Eureka, a play at the Living Theater, written by Hanon Reznikov and Judith Malina

Jim Feast
Review of Eureka, a play at the Living Theater, written by Hanon Reznikov and Judith Malina
Whatever the value in the Living Theater’s recent production, Eureka, of its literary allusions to Poe’s Romantic cosmology (from which the work draws its initial inspiration), its humanization of chemistry’s table of elements, its way […]


Sound Unbound - Review

Aaron Hayes
When reading great thinkers, it is natural to wonder whether these people’s lives were any different from ours, whether their insights into the nature of reality and the world we live in allowed them some sort of super powers, or at least greater happiness, or something – especially nowadays […]


Trouble the Water

No human spirit, all toughness aside, could withstand watching Trouble the Water without tears of empathy, followed by boiling anger, growing conviction and the commitment to respond. Filmmakers Tia Lessin and Carl Deal, consistently credit this feeling of good will fueled by a desire to help, as what motivated them to race to the gold coast in the aftermath of Katrina. The long time collaborators with Michael Moore had experienced a similar impetus towards action after 9/11. Turning their lens outwards on their own Brooklyn neighborhood, they made The Family Divided, a compelling short about the backlash of racism and unjust deportations which affected many American-Muslims. Determined to react artfully and effectively, Lessin and Deal, armed with their cameras found themselves in New Orleans in search of a story.



Latest Poetry

CO-DEPENDENCY

CO-DEPENDENCY
(For Vanessa)
                                                                                                                       
                                                                                                                                                       
1
 
My chocolate, my tobacco
and you across the river, my three
addictions: you analyze
 
the toxicity of love;  I appeal
to your vanity, waltzing you patiently
through my analysis – my fear
 
of losing you palpable, thick
as clouds, as smoke; I fear your drift, I fear
you are fixing the tobacco, I fear 
 
you […]


Prayer for Obama

Prayer for Obama
“An there shall be signs in the sun,
and in the moon, and in the stars; and
upon the earth distress of nations,
with perplexity; the sea
and the waves roaring;
Men’s hearts failing them
for fear, and for looking after
those things which are coming on the earth:
for […]



Latest Essays

from The Stone Mason’s Daughter

Out of nowhere, I’d suddenly begun to wear my hair, my unruly curls, pinned in a tight bun. At the same time, I became a fan of a peculiar shade of purple lip gloss and heavy eyeliner. I wore jeans and over-sized shirts with button-down collars, which I bought at the co-op. My uncertain style amounted to a common-law marriage of punk and preppie — but I was neither, I was just another financial-aid student fumbling my way through Yale.


“This Is Not An Endorsement of Barack Obama!” by dAlton Anthony AkA voice

After alot of back and forth last week I finally made the firm decision to vote for Barack Obama for president of the United States. This was not an easy decision for me as I am 45 years old and have never in my life voted for a major party candidate for president. Why did I make this decision? Basically, it comes down to three factors:race, culture and a series of conversations that I had with my daughter who is incollege and expressing her political opinions quite passionately andarticulately. A little over a year agoshe sent me a link to a clip of Barack Obama, asking me what I thought. Here is the unedited response I gave to herat the time:



Latest Fiction

The Manhood Test

He remained on the couch for another hour or so, his half-erect penis cupped in his left hand. He heard the muezzin’s incantations, “Allahu Akbar, Allahu Akbar” (God is Great! God is Great!), calling the faithful to the first of their five daily worships to the Creator. He gently rubbed his penis and listened:


The Itty Bitty Backpack Cure

One of the symptoms of being an Emotional Idiot is that I want all my ex-boyfriends to pine for me long after I have left them. Even if I was completely sick of them by the time we broke up, still, I expect them to never find a substitute for ME. I know this is grandiose but so what.



Latest Videos

Steve Cannon for President!

www.News3Online.com


Obama’s speech on race

NPR link


American Splendor

 

      “American Splendor”

      Written and directed by Shari Springer Berman, Robert Pulcini;

      A Fine Line Features release;

      Running time: 1:41. MPAA rating: R (language).

      Harvey Pekar - Paul Giamatti

      Joyce Brabner - Hope Davis

      Toby Radloff - Judah Friedlander

      Robert Crumb - James Urbaniak

      Himself - Harvey Pekar

      Herself - Joyce Brabner

 

 

Review by Jade Sharma 

 

It is widely said that one of the primary functions of cinema is a means of escape. People go to the movies, to get away from the monotony of there daily lifes, to laugh, to cry, to visit another world. At the price of ten dollars a ticket, it is one of the cheapest drugs. And when you get a good hit, it is one of the best highs you can get.

 

Most Hollywood films, take you on exciting thrilling car chasing gun fighting journeys where beautiful people meet and have sex with other beautiful people. And you get to go along for the ride. But afterwards you walk into the street, and back home to your apartment with your sick cat and your fat wife, and all of a sudden what you thought was an alright life seems pathetic and lame in comparison.

 

Then there are those movies, that serve to make you feel better about your life. American Beauty showed us that even in the suburbs you can find beauty, like a bag blowing in the wind. Seabiscuit proved once again that anyone, no matter what obstacles are in their way can still attain the American Dream. And now American Splendor is here to say, yea, even a file clerk in Cleveland can make something out of nothing.

 

American Splendor is about the real life story of Harvey Pekar. The movie starts with Harvey’s second wife leaving. He works nights as a file clerk, reads, and collects jazz records. He begans writing comics based on his real life. He asks his friend R.Crumb to illustrate his comic books, and then soon after meets a woman, and quit abruptly marries her. But this is no rags to riches story. This is no success overnight. As Crumb, becomes a celebrity in the world of underground comics and begans making a living off it. Harvey still works as a file clerk in a VA hospital. In fact the most fame Harvey gets is an invitation of the David Lettermen show. The film show actual footage of these interactions, so that you see the actor leave the green room, then you see the real Harvey Pekar with Letttermen. The New Yorker, I think put it best to describe the style of this movie, “It is a documentary and narrative that look at each other, but never touch.” Throughout the movie Pekar comments on the action of the narrative, and says things like, “this is the guy who is going to play me in this movie.” It is very self-reflective, and self-conscious. Constantly showing us that yea, indeed reality is stranger then fiction. In this way, it reminded me very much of Adaptation, which also kept referring to the film that you are watching.

 

I think in some ways this innovative style proved successful, and in other ways it seemed sloppy, and intrusive. For instance, there were times where watching the narrative absorbed in the incredible performance of Paul Giamatti as the lack jawed squirrelly eyed Pekar, then all of a sudden, it cuts to the real life Pekar sitting in a white room talking. Although in this way, it may give you a more expansive understanding of Harvey Pekar, it also can be jarring. Getting absorbed in the narrative, and then being pulled out. It was like someone tapping your shoulder saying,”It’s not real, it’s not real.” It detaches you from the narrative.

 

What I think is it’s most redeeming quality is nothing that happens to Harvey is over the top wonderful, everything is shown within the monotonous landscape of real life cleave land, USA. He meets a woman, they get married. She sleeps all day, ever gets a job and critizes him. But they still love each other. He never becomes a billionaire for writing his comics, but it does give him fulfillment and fills the void within him.

 

The movie ends, with the actor Paul Giamatti fading, replaced with the real Harvey Pekar walking home from dropping off his daughter on the school bus. He says, that it’s no happy ending, and that his wife still don’t work, and his kid got ADD and is a real handful, and that every day is a major struggle. Although Harvey doesn’t win at the end, you still get the feeling that he has had a good life, and in-between the sinks of dirty dishes and the dullness of your life, maybe you do too.