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  • A Gathering of the Tribes

    A Gathering of the Tribes is an arts and cultural organization dedicated to excellence in the arts from a diverse perspective. Located on the Lower East Side of New York City, Tribes has been in existence since 1991.


  • A Gathering of the Tribes, 285 East 3rd St, 2nd Floor (between Avenues C and D)
    Phone: 212-674-3778
    Fax: 212-674-5776
    Email: Info@tribes.org


  • Tribes is a member of Chamber Music of America, Poets & Writers, Poets Society of America, St. Marks Poetry Project. We are Funded by NYC DCA, NYSCA & The Andy Warhol Foundation among others. All contributions are tax deductible.

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  • The 16th Annual Charlie Parker Festival

    Throughout the forties, Charlie Parker revolutionized jazz and immortalized the Lower East Side by capturing its combustive atmosphere and translating it into music. It is no wonder that every year the Lower East Side returns a little bit of the favor by celebrating Charlie Parker, his life and his legacy, as well as his deep rooted relationship with this neighborhood, through A Gathering of the Tribes' Charlie Parker Festival.
    This year, A Gathering of the Tribes is please to present the 16th Annual Charlie Parker Festival, entitled "BIRD LIVES," from August 2 - August 29. More information about this year's festival can be found here

Latest Reviews

Whitney Biennial 2010

By Vedan Anthony-North

With a name like “2010” you don’t really know what to expect when heading to the 2010 Whitney biennial. Unfortunately, you don’t really know what to think about the exhibit after leaving either. Though the theme of “2010” is justified by the curators Francesco Bonami and Gary Carrion-Murayari in the exhibit’s […]


THE LATEST FROM OILSPILLVILLE

By : Brian Boyles, New Orleans
It was getting a little too possible, you know? That we might make it, that whatever the forces leveled at our survival, they were internal, fixable, matters of fairness or racial understanding or budgeting. We could do that, couldn’t we? The Saints won, didn’t they? […]


Poética para un infortunio

reseña por Daniel Torres en Lourdes Vásquez reciente libro “Tres Relatos y Un Infortunio”

“Estoy cerca de la puerta. Presiento que cada pisada marca el final de mis días. Detengo el paso en el dintel”.
“La gente es propensa a toda clase de accidentes”.
“A Guille le falleció una pierna”.
Estas tres oraciones, que sirven de epígrafe a esta […]


THE PERL OF PROSE

Written by Phaedra Pinkston Arising NYC poet Puma Perl newly released poetry book, “Knuckle Tatoos” accounts the artist’s exploration from the hard knocks of self liquidation to personal fulfillment.  The Brooklyn native grew up being  inspired by the beatnicks of the 1950s and keeps busy performing open at open mic nights in lower Manhattan and postings on her […]


DOPE *1968* a film by Diane Rochlin (Flame Schon) and Sheldon Rochlin

Review by Bonny Finberg

I just finished watching Sheldon and Diane Rochlin’s  powerful 1968 film “DOPE.” It documents a unique world and time through the lens of London 1967.
There was an international cabal at that time of artists, junkies, hippies and other unclassifiable characters on the periphery that fueled a a new world order before […]



Latest Poetry

The Reunion: A Forecast by Suejin Suh

 
The Reunion: A Forecast                                                                           by Suejin Suh
 
 
Has it been more than three years?  Three or four years-ish since you cleverly sang,  
At the airport, we’ll cross paths walking, walking towards opposite ends/ like almostly- forgotten lovers who had seeming common sense.” (They lusted. Lusted incensed.)
 
Or was this an impromptu melody I made just […]


Dark Energy, Dark Matter, and Darker Minds

This poem is not about the Cosmos
Or some dim idea people have
About a consciousness
Responsible for it all.
This is about the oil spilling (glug glug) into the gulf of mexico
Out of a pipe
Some greedy capitalist erected
To give themselves more money
Than they already have.
Can a new expletive be invented
To encompass British Petroleum
Or BP as all the media […]



Latest Essays

Louise and Me by: Neila Mezynski

Louise and Me
New York City, Sunday afternoon, six hopefuls and Louise Bourgeois. For 30 some years, Louise (not Ms. Bourgeois- her choice), has invited artists to her home to share their work; sculptors, painters photographers, writers, dancers even . We sat. We waited. The heat. No air. Louise. Her scrutiny, the grand dame. […]


Poética para un infortunio

reseña por Daniel Torres en Lourdes Vásquez reciente libro “Tres Relatos y Un Infortunio”

“Estoy cerca de la puerta. Presiento que cada pisada marca el final de mis días. Detengo el paso en el dintel”.
“La gente es propensa a toda clase de accidentes”.
“A Guille le falleció una pierna”.
Estas tres oraciones, que sirven de epígrafe a esta […]



Latest Fiction

Gone Fishing, Again

by Christopher Heffernan

The cult classic Trout Fishing in America, written by Richard Brautigan and first published in 1967, has been released in a new edition by Mariner Books, a subsidiary of Houghton Mifflin Harcourt Publishing Company.  The book has not been published on its own since the early ‘80’s when […]


Armory & Accessories

An extremely long and image-dense New York art fair report by Janet Bruesselbach
Everything I shot from Wednesday to Sunday is here.
FIRST COURSE: The Armory Show
I registered as press in advance for this and showed up about ten minutes after the press conference to pick up my badge. I briefly glanced at Pier 92, where […]



Latest Videos

A Starter Kit for Collectors: Exposition et vente au profit de TRIBES

A Starter Kit for Collectors: Exposition et vente au profit de A Gathering of the Tribes
Samedi 1er mai – Dimanche 16 mai 2010
Vernissage: Samedi 1er mai 14-18H
Réception pour les artistes : Samedi 1er mai, 19h-22H
Tribes Gallery
285 East 3rd Street, 2ème étage, NYC 10009
A Gathering of the Tribes est une association artistique et culturelle qui […]


A Starter Kit for Collectors: Art Exhibition and Sale A Benefit for A Gathering of the Tribes

A Gathering of the Tribes is an arts and cultural organization dedicated to excellence in the arts from a diverse perspective. Located on the Lower East Side of New York City, Tribes has been in existence since 1991.   tribes-poster-color.jpg
Saturday May 1st, 2:00 - 6:00 pm : Public preview
Saturday May 1st, 7:00 – 10:00 pm […]


SUSAN SHERMAN INTERVIEWED BY BONNY FINBERG

 BF: Why do you think so many activists become less directly involved in political activism as they get older? Some, like Tom Hayden have entered mainstream politics, others have maintained a revolutionary stance in response to politics and the world at large, but many have retreated from the front lines. Where are they? What are they doing?

 

SS: I don’t think it’s true many have become less directly involved. Maybe a handful of the more famous activists, and that might not even be true. We just don’t hear about them. I was at a memorial recently for Grace Paley that was held by the War Resister’s League and the Women’s Pentagon Action and it was full of people who were active in the Sixties, many even before, and are still struggling for social justice in many areas from mainstream politics to the anti-war movement to local struggles for fair housing. Much of the really important struggle takes place on a local level and that is just not “sexy” enough for the media to report. Also there has obviously been a concerted effort after the Sixties not to cover progressive politics or activity.

 

BF: How do you see your own activism manifested in your life now?

 

SS: In a number of ways. Through my writing, teaching, working with our union—we are affiliated with the UAW—at Parsons School of Design and Eugene Lang College, both part of The New School, and through social justice work both community and nation based at Middle Church, a wonderfully diverse socially progressive community. And of course any demonstration that comes up, although that is harder for me now because of an injury which makes it difficult for me to walk.

 

BF: What issues are pivotal for you at this time? What about China and Tibet, for example? What do you see as the most important things relentless and passionate young activists should be putting their energy into? Do you see any indications that there is a youth movement? Is it a healthy one? Considering the state of things in the world at present, what do you think is necessary to create an atmosphere that will encourage more radical activism today—How much worse does it have to get? Or is it a case of depleted energies and catastrophe/issue fatigue?

 

SS: We hardly have to create an atmosphere that will encourage more radical activism given the situation in Iraq and the economic, environmental and social problems surrounding us today. I think that activism is all around us. Yes, it’s important to support Tibet, of course, but we have issues here at home that are vital—hurricane Katrina, survivors of which are still suffering and are scattered all over the US, the devastation in the Midwest, and the ever present issues of HIV/AIDS, sexism, racism, homophobia, economic injustice. As well as the myriad issues around immigration. Globalism is an overriding concern if these other issues are to be adequately addressed. There are all kinds of indications that a healthy youth movement is alive and well—and a healthy older movement too. The Obama campaign regardless of the nuances was built to a large extent on the need young people feel for greater social equity, for a life that has more meaning than just the number of objects you can acquire. We were lucky in a way in the Fifties and Sixties because products were not so slick and compelling and advertising was not so insidious and widespread. On the other hand while it is still in our hands we can use technology like the internet—just look at the influence of blogs, Youtube, organizations like Move On. I think people should put their energy into whatever issues move, excite, touch them most. I would recommend magazines like Colorlines, which focus on young people of color and the struggles they are engaged in at the present if you want to know what is happening now.

 

BF: What direction does Cuba seem to be headed in from your point of view and how do you assess the “success” of the revolution?

 

SS: Again another very complex issue that would take a lot more than a simple answer to even begin to do justice to. When I was in Cuba in the Sixties—my last trip was in 1992—the Cubans liked to say that the rebellion succeeded in 1959 but that the revolution was an on-going process. I think we have a tendency here to think of things still in terms of beginning, middle, end instead of accepting the fact that all struggle is a process and a hugely complex one at that and ongoing. For specific information, analysis of the situation in Cuba I highly recommend a book by Margaret Randall, who figures prominently in my memoir, which will be published by Rutgers University Fall 2008 titled To Change the World: My Years in Cuba. Margaret lived in Cuba for ten years during the revolution’s formative period and has much more information and analysis about the situation then and now.

 

BF: Can you talk about Marcuse and Hegel’s ideas on individual choice and self-determination based on reason and rational thought— what kind of forces they were for you and those around you, in trying to build a world based on these principles rather than accepting the forces and facts of life as “the way things are,” etc?

 

SS: I’m not sure how much Marcuse and Hegel were on people’s minds that were struggling to fight against the many threads of repression and violence in the Sixties, particularly in the United States—which I think is the period you were referring to in this question. The catalyst would be found more in the energy and idealism of the Civil Rights Movement. The recognition that underneath the surface there were layers and layers of injustice that had to be addressed. Young people joined others already engaged in struggle who felt that two cars in every garage was not the motivation that moved them, the future they looked forward to. Marcuse’s book, The One Dimensional Man, was important because it laid out the vacuousness and emptiness of the period. Marx, particularly early Marx and Marx’s analysis of capitalism and his incorporation of Hegel (turned on his head) into his theory of historical determinism were more widely read and discussed, particularly in respect to the resolution of contradiction—the old thesis, antithesis, synthesis, negation of negation! A more pertinent question today I think—not putting down the gentlemen you name—would be the growth of media and advertising and its subliminal appeal to emotional needs that extend from the smallest parts of our lives—the toothpaste we buy—to electing our most important officials.

 

BF: Can you talk about the sources of memory for this book? You mention the destroyed correspondence and pictures necessitated by the need to protect people from government surveillance?

 

SS: We actually never took many photos in the Sixties because we never knew how they would be used and I did destroy a great deal of my correspondence in the middle Seventies when women from the women’s movement were being targeted by the grand juries. That is a whole other story. Fortunately I kept letters from Margaret Randall who I had an extensive correspondence with during the Sixties. I actually had to go to the NYU library to get my corresponding letters to her—my letters are archived there with in El Corno Emplumado collection. I had some essays and articles, which were published at the time, from which I could get valuable specifics about my trips to England and Cuba. I did some research. But for the most part relying on my memory wasn’t really a problem since the incidents in the book for the most part were highlights of those years I wasn’t likely to forget!

 

BF: What do you feel was left out of this book that in, retrospect, you wish you’d included?

 

SS: I would have liked to have taken the book to at least 1975 to include the women’s and gay liberation movements, a trip to Chile, the end of the Vietnam War and in 1975 a very important summer session at Sagaris, a feminist institute where I served on the faculty. But I felt that, as it was, there was a lot of information packed into one book. Who knows maybe some day I’ll write America’s Child Part Two! To repeat what I wrote in the last chapter of the book I feel what we call the Sixties really extended from the late Fifties until 1975 and that in actuality that period, even if extended, has to be viewed within a continuum of struggle in the United States. It cannot be compartmentalized.

 

BF: Yes, I completely agree. I think books such as yours can serve as inspiration and hope for each generation of activists that come along to continue the struggle. I hope America’s Child Part Two is on your front burner.