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Global Feminisms; or, Emily Dickenson’s Vagina is Not Made From Pink Satin & Lace

The first piece that you see when you exit the elevator and enter the recently inaugurated Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum is, “A Walnut” by Valerie Mrejen, a video of a an older woman and a young girl, maybe six or seven (or eight or ten?), sitting at a … Read more

Tate Modern, made in (Tate) Britain

What to say about a colossal art project which opened in 2000 housing 48 galleries devoted to the display of its permanent Collection? Read more

Martin Creed: Feelings

“Martin Creed: Feelings” continues through Sept. 16 at the Center for Curatorial Studies at Bard College, Annandale-on-Hudson, N.Y., (845) 758-7598. Read more

Object Out of Context – Jack Tilton Gallery

Somewhere between the subway and the gallery is a nursery school so luxuriantly lacking in handprints, messes and improvised playthings that the crowd of children out front seems almost inappropriate. Read more

Images of Ambivalence: Fashion/Art, Photography/Painting by Marilyn Minter

The works of Marilyn Minter, on display from November 12th to December 20th at Salon 94 Read more

Passing/Posing: Kehinde Wiley Paintings

We are a thrown away people. Stolen centuries ago by the West, our ancestors built nation after nation, until they were no longer needed and thrown away. They wondered through the world they created finding no home. They picked up left over meat and made it a meal. They picked out barren lands and made communities. They picked up horns and drums from dead Civil War soldiers and made Jazz. Read more

Basquiat needed fame. He didn’t need money or power but fame. The spotlight saved him from disappearing into the chaos rising in him. It gave him an image of himself he could exist within, a manufactured self to show the world and also hide behind. He of course was the audience member who didn’t believe it. Again and again he fought his way out until nothing was left but a man who died in his dreams. Yes Basquiat did kill himself and we paid to see it.
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“Spanish Painting From El Greco to Picasso: Time, Truth, and History”

Bajo el título El Greco to Picasso. Time, Truth and History (Del Greco a Picasso. Tiempo, Verdad e Historia), se presenta en el Museo Guggenheim de Nueva York, la primera revisión histórica del arte español en Estados Unidos. Cerca de ciento cuarenta pinturas de artistas desde Velázquez, El Greco, Murillo, Zurbarán, Goya, Mirò, Juan Gris a Dalí y Picasso, por citar algunos nombres, todos de primer orden, distribuidas tan magistralmente, a pesar de la dificultad de la disposición de la rotonda ideada por Frank Lloyd Wright, que parece que siempre estuvieron allí, y en las salas adyacentes. Read more

Frank Gonzales, otherwise known as”Frankie G.,” heats up a seat at the House of Tribes Theatre, a small black box on the Lower East Side of New York City. With a quiet confidence and intense gaze that could melt Alaska, he sits inside the red theatre seat in a black jumpsuit and sneakers, donning a chiseled jaw, gracious humility, and the smoldering eyes of a rising star. Read more

Kader Attia

Posted by A Gathering Of The Tribes in Art Reviews | Reviews - (Comments Off)

As far as I have seen it, New Yorkers have several hobbies, like european art, that you can actually see at the ICP or in the NYC library, make fun of French society and of course speaking about psychoanalysis (their own analysis preferably). For this reason, Kader Attia, a young french artist should please the New Yorkers. Read more