Tag Archives: gathering of the tribes
Alexandra Rojas: Dismantled
Alexandra
Rojas
Dismantled
January 15 – February 15, 2011 Opening reception: Saturday, January 15, 6 – 8 PM A Gathering of the Tribes is pleased to present an exhibition of new work by Alexandra Rojas, on view at Tribes 285 East Third Street space. For her first solo show, Colombian artist Alexandra Rojas (born 1977) exhibits a decade-long project, Dismantled. Her abstract, sculptural pieces — which she simply refers to as “drawings” — incorporate cement, rubber, wax and her own hair. Rojas has been a member of Bullet Space: An Urban Artist Collaborative since 2000. Her work has recently been shown at Exit Art as part of their Alternative Histories show as well as at Bullet Space for Continuum, a two-person show with David Row. She lives and works in New York City’s Lower East Side.
Evidencing her concern for process, Dismantled makes use of the remnants of Rojas’ hygienic rituals. Having harvested her own hair for a span of ten years, she uses the twisting strands, not unlike the double helix of DNA, to “draw” on blocks of cement, which have been refined and polished and act as a canvas to her expression. For Rojas, hair, the dead cells of a human body, reveals the strength of self; lingering within their crypts of concrete, these strands not only expose mortality but also celebrate it. Having “dismantled” the habits of her daily life and revealed the underlying loss, Rojas offers a plaintive yet exquisite vision of individual life and human texture. A Gathering of the Tribes 285 East Third Street (Between Ave C & D)#2 NewYork, NY 10009 Phone: (212) 674–3778 www.tribes.org
ACHING FOR BEAUTY: Footbinding in China
By:Wang Ping
Why did so many Chinese women over a thousand-year period bind their feet, enduring rotting flesh, throbbing pain and hampered mobility throughout their lives? What compelled mothers to bind the feet of their young daughters, forcing the girls to walk about on their doubled-over limbs to achieve the breakage of bones requisite for three-inch feet? Why did Chinese men find women’s “golden lotuses”–stench and all–so arousing, inspiring beauty contests for feet, thousands of poems, and erotica in which bound, silk-slippered feet were fetishized and lusted after?
As a child growing up during the Cultural Revolution, Wang Ping fantasized about binding her own feet and tried to restrict their growth by wrapping them in elastic bandages. Even though footbinding was not practiced by every woman in late Imperial China, the aesthetic, financial, and erotic advantages of footbinding permeated all aspects of language, ranging from erotic poetry, novels, and performances to food writing, myths, folk songs and ditties, and secret women’s writing, some of it hidden in embroidery. In Aching for Beauty, Wang interprets the mystery of footbinding as part of a womanly heritage–”a roaring ocean current of female language and culture.”
She also shows that footbinding should not be viewed merely as a function of men’s oppression of women, but rather as a phenomenon of male and female desire deeply rooted in traditional Chinese culture. Written in an elegant and powerful style, and filled with personal, intriguing and sometimes paradoxical insights, Aching for Beauty builds bridges from the past to the present, East to West, history to literature, imagination to reality.
Wang Ping, born in Shanghai, came to the Untied States in 1985. Her books include short stories, American Visa (1994); a novel, Foreign Devil (1996); and poetry, Of Flesh and Spirit (1998). She also edited and co-translated New Generation: Poems from China Today (1999). She has a Ph.D in comparative Literature from New York University and teaches creative writing at Macalester College in St. Paul, Minnesota.
” Aching for Beauty demonstrates the complexity and the manifestations of a civilizations’s obsession with the body–its beauty, its fulfillment, its destruction, and its transformation. Wang Ping writes with passion and an understanding strengthened by the female experience. This is a rich, necessary, and invaluable book.” Ha Jin, author of Waiting, winner of the 1999 National Book Award for Fiction.
$27,95 Cloth/jacket ISBN 0-8166-3605-2, 320 pages, 17 black and white photos, 1 line drawing. To schedule an interview or request a review copy, contact: Alison Aten, Publicist, (612) 627-1932, Fax (612) 627-1980, e-mail: atenx001@tc.umn.edu