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Introducing Soon-Yi Previn As controversies tumbled around her, the daughter of Mia Farrow and wife of Woody Allen stayed silent for decades. No more. (Vulture)

nce, she was seen as a victim, her youth and relative innocence taken advantage of by a powerful, much older man who sucked her into his vortex. Or, alternately, she was a Lolita, a seductress who wittingly betrayed the Mother Teresa–like figure who’d saved her from life in an orphanage. These days, Soon-Yi Previn is seen as an accomplice of sorts, who, in the wake of renewed accusations by Dylan Farrow that Dylan’s adoptive father, Woody Allen, sexually molested her, has stood by Allen even as his reputation has plummeted and his once-revered films have been reassessed in the light of the #MeToo movement. Throughout this time, Soon-Yi herself, the slim Korean-born woman with a curtain of dark hair who showed up occasionally at Allen’s side in grainy news images, has said virtually nothing, her sphinxlike presence adding to the mystery of what actually took place. He did what? She’s how old? And whose daughter?

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Naomi Osaka Lost Her Moment of Triumph. Let’s Not Forget Her Match. (New York Times)

So was the chair umpire Carlos Ramos truly a thief in Saturday’s United States Open women’s final? Not by the letter of tennis law.

But Ramos, Serena Williams’s coach Patrick Mouratoglou and, above all, Williams herself bear responsibility for the way an intense, gripping final between a great champion and a great young talent turned ugly.

The only full-blown victim on Saturday was the winner: Naomi Osaka.

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Colin Kaepernick’s Nike Campaign Keeps N.F.L. Anthem Kneeling in Spotlight (New York Times)

Colin Kaepernick, the former N.F.L. quarterback who inspired a player protest movement but who has been out of a job for more than a year, has signed a new, multiyear deal with Nike that makes him a face of the 30th anniversary of the sports apparel company’s “Just Do It” campaign, Nike confirmed on Monday.

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Poetry in America

Teaser excerpt of "To Prisoners," featuring Senator John McCain, poets Reginald Dwayne Betts and Li-Young Lee, actor Anna Deavere Smith, and exonerees from the Innocence Project.

"To Prisoners" is Episode 9 in the Poetry in America series.

For broadcast information and full episode streaming, visit

Produced by Verse Video Education; Presented by WGBH Boston; Distributed by American Public Television.

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Serena Williams Hits Tennis Court In Tutu Amid Catsuit Ban And People Love It

Serena Williams rocked a tutu in the first round of the U.S. Open, in the midst of a controversy around outfits she’s worn on the court, and fans went wild.

The tennis champion wore a custom-designed tutu by Louis Vuitton designer Virgil Abloh and Nike in her Monday match against Magda Linette. In addition to the tutu, she wore NikeCourt Flare trainers and fishnet compression tights.

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Crazy Rich Identities

The movie Crazy Rich Asians, adapted from Kevin Kwan’s best-selling novel, has been widely celebrated in the United States as a big step toward diversity: It’s a Hollywood movie with an Asian cast. But in Singapore, some people are complaining that the film doesn’t capture their country’s actual diversity. That’s even granting the film’s focus on people who are crazy rich (not—to avoid confusion—crazy and rich, though some are both). “The focus is specifically on characters and faces of East Asian descent, which plays into issues of racism and colorism that still exist, not only in the US but in Asia,” the Singapore journalist Kirsten Han writes in Vox. The film’s “all-Asian boast,” in her view, is “nothing more than a perpetuation of the existing Chinese dominance in mainstream media and pop culture.” Sangeetha Thanapal, an Indian Singaporean writer and activist, takes issue with the way the movie is being sold as “this big win for diversity, as this representative juggernaut,” telling a New York Times reporter, “I think that’s really problematic because if you’re going to sell yourself as that, then you bloody better actually have actual representation.”

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The Trillion-Dollar Fantasy at the Heart of the Global Economy

There are approximately 1 trillion stars in the Andromeda Galaxy, one for every dollar in Apple’s current market capitalization. Andromeda is 2.5 million light-years distant from our own Milky Way, however, so by the time any Andromedans read this, Apple will be long gone, melted or drowned like the rest of the artifacts of our Ozymandian civilization.

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London Review of Books: Writing Absurdity

On 21 April 1930, a fire broke out in the state penitentiary in Columbus, Ohio, a wretched, segregated prison where more than 4000 men were packed into a facility built to hold 1500. By the time it was extinguished, 322 prisoners lay dead, and the National Guard was called in to suppress rioting. Among the survivors was Chester Himes, a twenty-year-old black man serving a twenty-year sentence for armed robbery. Himes had already seen his share of troubles but, as Lawrence Jackson writes in his impressive biography, they ‘did not inspire him’ the way that ‘stumbling through the gore of two cell block tiers’ worth of burned-alive men’ did. After the fire, Himes began to write fiction on a typewriter he had bought with his gambling winnings, and four years later he published a story about the fire in Esquire. As the prison was engulfed in flames, Himes had seen its clandestine eroticism come into the open, in a carnival of the damned. A convict called Broadway Rose put on a sex show, and the prison’s ‘boy-girls’ offered their services in cells covered by red curtains. In Himes’s ‘To What Red Hell’, it’s the fire that enables this liberation of desire, before extinguishing it: ‘Oh, Lawd, ma man’s dead,’ a black prisoner called Beautiful Slim says, mourning his lover. Yet death also has a levelling effect: Blackie, the white protagonist, observes that all the dead, white and black, have the same ‘smoke-blackened flesh’.

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Beyoncé in Her Own Words: Her Life, Her Body, Her Heritage

Pregnancy & Body Acceptance

After the birth of my first child, I believed in the things society said about how my body should look. I put pressure on myself to lose all the baby weight in three months, and scheduled a small tour to assure I would do it. Looking back, that was crazy. I was still breastfeeding when I performed the Revel shows in Atlantic City in 2012. After the twins, I approached things very differently.

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Read Between the Lines

My name is Marty Denton and I am a singer/ songwriter/poet from McGehee, Arkansas. I am 67 years old. I am CEO of Trip Jct Records LLC. I have songs on Pandora, Spotify, Google Play, ITunes, Amazon, ITunes radio and many more. Many artists have recorded my songs. I also write poetry and have over 700 songs and poems in the Library of Congress. I have published poems on many retail sites. This collection is presently at:

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30-Foot Painting of the K.K.K. Puts a Museum to the Test

AUSTIN, Tex. — The Blanton Museum of Art at the University of Texas at Austin knew it had a painting on its hands that required sensitivity: a 30-foot-wide panorama by the Houston-based artist Vincent Valdez that imagined a modern-day Ku Klux Klan gathering. And a string of recent art-world controversies had emphasized the need for such curatorial caution.

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ARTFORUM: Joe Overstreet

Joe Overstreet’s experimental paintings from the early 1970s were made to be suspended from ceilings and tied to floors using a system of ropes and grommets. As a result, they occupy a good deal of three-dimensional space, and by design their shapes change every time they are installed, depending on how they are stretched out, draped, or crumpled. In some works, such as St. Expedite II and Untitled, both 1971, and Untitled, 1972, Overstreet has painted squares of canvas in solid colors—red, green, navy blue, deep purple—edged in contrasting stripes.

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VENTICENTO - A Series of Not-So Classical Nudes

Van Der Plas Gallery is pleased to announce the opening of Venticento, a show of classically-inspired nudes on canvas, wall and paper by Russian-American artist Phil Rabovsky. Taking its name from the quattrocento, or Italian High Renaissance, Venticento is a twenty-first century look at the humanist tradition, bringing out ways this tradition has idealized, standardized, and appropriated the female body as a cultural symbol. Parallel to this critique, the show also sees in humanism the remains of something valuable—a faith in our own agency and ability to access truth that is missing from the politically-disoriented postmodern world. Politics, humanism reminds us, is not just about resisting power. It must also build polities. In light of recent events, Venticento asks if it is possible to reclaim a positive image of our own power, and believe in civilization once again.

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