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The latest original poetry and prose by Tribes' family of writers
When I was about 12 years old, there was this other black girl selling freshly squeezed lemonade in my neighborhood. She was selling each cup for $1. My dad gave me some money and told me to buy 2 cups of lemonade from her. So I did (even though I wasn’t thirsty, wasn’t particularly fond of any drink aside from water, and it was also rare to see my dad drink lemonade). But I did it. I went up to her stand and bought 2 cups.
Yesterday, I woke up in good spirits. I had an interview Downtown that I was feeling pretty good about. It was a corporate interview so I did my best to dress corporate. Black slacks. Button up. Navy blue tie and a gold tie clip. Nothing fancy.
I stare at painted ceilings, I stare at parting clouds
Confined to thoughts of interchanging forms
Your skin and cheeks when you walked through my elementary school doors
Determined to not let sickness stop you
LATEST ESSAYS & REVIEWS
ON OUR MINDS
Pregnancy & Body Acceptance
After the birth of my first child, I believed in the things society said about how my body should look. I put pressure on myself to lose all the baby weight in three months, and scheduled a small tour to assure I would do it. Looking back, that was crazy. I was still breastfeeding when I performed the Revel shows in Atlantic City in 2012. After the twins, I approached things very differently.
My name is Marty Denton and I am a singer/ songwriter/poet from McGehee, Arkansas. I am 67 years old. I am CEO of Trip Jct Records LLC. I have songs on Pandora, Spotify, Google Play, ITunes, Amazon, ITunes radio and many more. Many artists have recorded my songs. I also write poetry and have over 700 songs and poems in the Library of Congress. I have published poems on many retail sites. This collection is presently at:
AUSTIN, Tex. — The Blanton Museum of Art at the University of Texas at Austin knew it had a painting on its hands that required sensitivity: a 30-foot-wide panorama by the Houston-based artist Vincent Valdez that imagined a modern-day Ku Klux Klan gathering. And a string of recent art-world controversies had emphasized the need for such curatorial caution.
Joe Overstreet’s experimental paintings from the early 1970s were made to be suspended from ceilings and tied to floors using a system of ropes and grommets. As a result, they occupy a good deal of three-dimensional space, and by design their shapes change every time they are installed, depending on how they are stretched out, draped, or crumpled. In some works, such as St. Expedite II and Untitled, both 1971, and Untitled, 1972, Overstreet has painted squares of canvas in solid colors—red, green, navy blue, deep purple—edged in contrasting stripes.
Heather James Fine art information here
Photo’s of AIDS memorial, close up of text of Walt Whitman poem and Eternal fountain
A Gathering of the Tribes is an arts and cultural organization dedicated to excellence in the arts from a diverse perspective.
A Gathering of the Tribes is a non-profit arts and culture online magazine dedicated to excellence in the arts from a diverse perspective. Founded originally as a print magazine by Steve Cannon in 1991 when he lost his eyesight to glaucoma, A Gathering of the Tribes operated for more than two decades, evolving into a place where artists could meet and exchange ideas regardless of their medium or level of career success. Few spaces in the city nurtured the kind of close-knit, pan-disciplinary cultural situations that A Gathering of the Tribes imparted. Ishmael Reed, Quincy Troupe, Paul Beatty, David Hammons, Eileen Myles, Nicole Eisenman, Robert Colescott, and Wynton Marsalis are just some of the now-legendary New York creatives whose early works were shared with the world through A Gathering of the Tribes’s annual print magazine.
Tribes.org is the online continuation of this legacy. Our online magazine bridges generations by publishing the work of emerging artists and writers side by side with their more established elders in an effort to build an audience for a new, diverse generation of poets, artists, and writers. We tirelessly promote the work of our fellow artists and activists, in and out of Tribes, deepening the cultural network our work helps create. In doing this we expose our young writers to a broader audience, engage their work with the pressing cultural issues of the day, and encourage them to reach the level of their more established peers.