New releases available for purchase
Latest Poetry & prose
The latest original poetry and prose by Tribes' family of writers
When the winds blowing from the north are warm, no longer cold.
When stories that were passed around campfires are seldom ever told.
When freedom isn't for all, on trading blocks our rights are bought and sold.
When youth have no reason to believe, so quickly they grow old.
Eve Packer continues her photojournalistic exploration of New York (and her own emotional interior landscape) in these spare, eloquent poems. Many of the poems have dates, and some are even time-stamped, giving the impression of journal entries. In this way Packer marks events in the news, the seasons, the deaths of friends, and the closing of mom-and-pop businesses with a nod to the passing of time—a reassuring constant when so much else seems to be in flux.
On June 19, 1986, I was home from college and taking a history class in the summer session at the local junior college in my hometown. It was around 7:30 p.m. and the instructor was lecturing about the importance of the civil war. Yada yada yada… I simply didn’t feel like being there. So after a few minutes had passed, I got up from my seat and quietly walked out of the room. I went to my mother’s house, which is where I stayed in the summer awaiting the fall semester to begin. I arrived at home to find a note on the kitchen table from my mother.
LATEST ESSAYS & REVIEWS
ON OUR MINDS
Heather James Fine art information here
Photo’s of AIDS memorial, close up of text of Walt Whitman poem and Eternal fountain
Van Der Plas Gallery is pleased to announce the opening of Venticento, a show of classically-inspired nudes on canvas, wall and paper by Russian-American artist Phil Rabovsky. Taking its name from the quattrocento, or Italian High Renaissance, Venticento is a twenty-first century look at the humanist tradition, bringing out ways this tradition has idealized, standardized, and appropriated the female body as a cultural symbol. Parallel to this critique, the show also sees in humanism the remains of something valuable—a faith in our own agency and ability to access truth that is missing from the politically-disoriented postmodern world. Politics, humanism reminds us, is not just about resisting power. It must also build polities. In light of recent events, Venticento asks if it is possible to reclaim a positive image of our own power, and believe in civilization once again.
It was the kind of debut most musicians only dream of: a world-class orchestra, tens of thousands of listeners. At its outdoor parks concerts last week, the New York Philharmonic performed works by two 11-year-old girls, Camryn Cowan and Jordan Millar — newcomers to the world of composing. They won over the crowds, who gave standing ovations. Anthony Tommasini of The New York Times gave them an effusive review. “Audiences were clearly blown away and delightfully surprised,” said Deborah Borda, the Philharmonic’s president and chief executive.
One year ago, decades of austerity, mismanagement and neglect came to a lethal conclusion in the Grenfell Tower block in west London. The inferno, wrote Claire Armitstead, was an “appalling reminder of how contemptuously many of London’s poorest citizens have been treated over decades of privatisation and mismanagement.” That such an atrocity could occur in 2017 in a Royal Borough running huge revenue underspends is a cruel irony, one matched only by the response to the tragedy, which has been criticized for showing the same callousness, racism and institutional failure that allowed conditions in Grenfell to become so dire—and which continue to characterize life for so many others in the capital.
A Gathering of the Tribes is an arts and cultural organization dedicated to excellence in the arts from a diverse perspective.
A Gathering of the Tribes is a non-profit arts and culture online magazine dedicated to excellence in the arts from a diverse perspective. Founded originally as a print magazine by Steve Cannon in 1991 when he lost his eyesight to glaucoma, A Gathering of the Tribes operated for more than two decades, evolving into a place where artists could meet and exchange ideas regardless of their medium or level of career success. Few spaces in the city nurtured the kind of close-knit, pan-disciplinary cultural situations that A Gathering of the Tribes imparted. Ishmael Reed, Quincy Troupe, Paul Beatty, David Hammons, Eileen Myles, Nicole Eisenman, Robert Colescott, and Wynton Marsalis are just some of the now-legendary New York creatives whose early works were shared with the world through A Gathering of the Tribes’s annual print magazine.
Tribes.org is the online continuation of this legacy. Our online magazine bridges generations by publishing the work of emerging artists and writers side by side with their more established elders in an effort to build an audience for a new, diverse generation of poets, artists, and writers. We tirelessly promote the work of our fellow artists and activists, in and out of Tribes, deepening the cultural network our work helps create. In doing this we expose our young writers to a broader audience, engage their work with the pressing cultural issues of the day, and encourage them to reach the level of their more established peers.