In 1974, President Nixon performed at the Grand Ole Opry. First, he praised the audience’s values which, he boasted, were America’s values. According to the much-investigated Richard M., country was a musical representation of America’s soul. Next, he banged-out a clumsy piano rendition of “God Bless America.” Immediately following Nixon’s performative version of the United States, the Grand Ole stage came to life with act after act, a long line of country and redneck musicians, one after another singing of revenge, drugs, affairs, divorce, booze, despair, poverty, rootlessness, ruthless bosses, and prison.

Photography from Iris Velghe

Poetry, to me, is emotion or experience manifested in its most candid form. It is artistic expression so honest that only one sequence of words, thoughtfully and meticulously arranged, can express it. And though the content of its expression might be weakness, or embarrassment or fear or imperfection, the expression is perfect in itself. In this way, in this honest, perfect imperfection, my mother exemplifies poetry.

Maya Angelou, Josephine Baker and Lorraine Hansberry are just a few of the women of color featured in Firelei Baez’s “Joy Out of Fire” exhibit saluting Afro-Caribbean / Afro-Latina women at the Schomburg Center in Harlem. The exhibit was created by Baez and a partnership with the Studio Museum Harlem organized by Hallie Ringle, Assistant Curator.

In 1966, the pianist Cecil Taylor appeared in Les Grandes Répétitions, a series of Nouvelle Vague-influenced documentaries for French television about Olivier Messiaen, Karlheinz Stockhausen, and other modern composers. Taylor, who died at eighty-nine in April, was the only jazz musician featured. The avant-garde jazz movement was young, brash, and commanding increasing respect from a classical establishment that had been, at best, indifferent to black music, and Taylor, a conservatory-trained pianist who was creating a radical synthesis of jazz improvisation and European modernism, had emerged as one of its most militant and sophisticated leaders.

“Abstraction represents self-determination and free will.” So avowed the painter James Little at a recent panel discussion held in conjunction with an exhibition of works by his fellow painter Joe Overstreet, but with the broader purpose of examining the question of “Black Artists and the Abstraction Idiom.”

Fun now
to encounter unusual birds,
for here,
in the parks.

Childish Gambino’s (Donald Glover’s) music video for “This is America,” a brilliant and provocative take on gun violence, minstrelsy, and Black life, has sent shockwaves through the nation.

You gotta see it to believe it. The Japanese show, Native New Yorkers featuring the legendary STEVE, CANNON. Mostly English with Japanese subtitles. (Part 1 of 2)

Throwing weapons and breaking glass are just a few of the things Shaun Russell does to rescue her children in the action thriller Breaking In. Gabrielle Union who plays Shaun takes on money seeking intruders using her wit and household weapons. Union, known for romantic comedy movies and the hit BET show, Being Mary Jane, takes on a new role requiring her to transition her drama techniques into physical warfare to defeat the burglars taking over her house.

Responsibility: The quality, state, or fact of being responsible. One that a person
is responsible for.

Responsibility in the context of which my role was defined as a sister and a friend
while my brother neared the end of his life was profoundly meaningful to me.
Although the challenge of this role was incredibly daunting as well as critical at
times, I was honored to share in the responsibility that ultimately led him toward
eternal peace.

Comic book and Sci-Fi lovers get to see Marvel Comics characters unite to save the universe in the epic action movie, Avengers: Infinity War. The nail biting thriller will keep movie goers on the edge of their seats while watching amazing fight scenes and battleground action on the big screen. 

             I’m sitting at the nurse’s station cleaning my glasses with an alcohol prep pad. Looking though the newly cleaned lenses, I’m dismayed to find that not only are my scrubs wrinkled but there’s a brown smudge on my pant leg. What is that—betadine? Peanut butter from when my kids hugged me goodbye this morning? 

COLLECTION OF POETRY FROM 10 FEMALE AND NON-BINARY AUTHORS, SELECT IMAGES FROM COLOMBIAN ARTIST

Donald Glover released a new song and music video “This Is America” under his musical moniker Childish Gambino on Saturday Night Live this weekend — and the four-minute, single-take music video is laden with metaphors about race and gun violence in America.

En route to the National Poetry Slam two years ago, the team from the Bowery Poetry Club in Manhattan adopted a motto: “Don’t be nice; be necessary.” Now that they’ve seen a documentary about their journey, the team members have decided much of it is profoundly unnecessary. They say the film distorts their actions and exploits the trauma of police killings of black men.

At sixteen, he hammers
black stones
to fit over breasts,
to bless the new wine

I mourn for my mother, like Demeter
created seasons with grief
a daughter makes Hades fill the role
he will never be as gentle

Is it possible for the U.S. to transcend its racist history? The title of Ta-Nehisi Coates’ most recent book – We Were Eight Years in Power – suggests a lost moment, a fumbled opportunity encapsulated in Obama’s presidency. The book itself is more complex (and its criticism of the first black President more stringent) than some of its critics would suggest, but the unspoken message is that racism is an indelible stain, and that whatever dreams of racial harmony Obama might have engendered have been inevitably crushed under the mighty hammer of white supremacy.