Posts tagged Art Review
RICHARD PRINCE at the GUGGENHEIM MUSEUM by Emil Memon

richard20prince2.jpgRichard Prince one man show at Guggenheim is a massive affair. The show consists of different cycles of artists work, his famous cowboys, biker chicks, car hoods sculptures, nurse paintings,DeKooning paintings, check paintings, black and white; color paintings, celebrity publicity assemblages etc…. Walking up the spiral of Guggeneheim in a chronological order you immerse yourself into his world, which supposed to be a pure concentration of American pop culture[...]

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"Spanish Painting From El Greco to Picasso: Time, Truth, and History"

Bajo el título El Greco to Picasso. Time, Truth and History (Del Greco a Picasso. Tiempo, Verdad e Historia), se presenta en el Museo Guggenheim de Nueva York, la primera revisión histórica del arte español en Estados Unidos. Cerca de ciento cuarenta pinturas de artistas desde Velázquez, El Greco, Murillo, Zurbarán, Goya, Mirò, Juan Gris a Dalí y Picasso, por citar algunos nombres, todos de primer orden, distribuidas tan magistralmente, a pesar de la dificultad de la disposición de la rotonda ideada por Frank Lloyd Wright, que parece que siempre estuvieron allí, y en las salas adyacentes.

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Kader Attia

As far as I have seen it, New Yorkers have several hobbies, like european art, that you can actually see at the ICP or in the NYC library, make fun of French society and of course speaking about psychoanalysis (their own analysis preferably). For this reason, Kader Attia, a young french artist should please the New Yorkers.

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In Sync With The Future

As the exhibition continues up the ramps, it gradually moves backwards in time. Tucked away in a back room on the first ramp are other works of laser art created between 1997 and 2000, entitled Three Elements. Projected through spinning prisms in large mirror-backed geometric structures, the lasers ricochet off the side panels. The darkness of the room accentuates the concentrated color in the beams.

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Alphabet Slop: Re-Straining the East Village Art Scene, 1981-1986

The locus of the New Museum's recent "East Village USA" exhibition -- the period and place generally regarded as the "'80s East Village Art" phenomenon -- actually encompassed as many as 20 or 30 "East Villages," various scenes and circles rotating through Venn diagrams of intersections, casual alliance, community action and internecine rivalry. Competing styles and artists' goals were as numerous and as varied as the epistemologies presumed to underlie them.

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Downtown: Legend, Myth and Institutionalized Caprice

The Downtown Collection, an amalgam of archives in NYU's Fales Library provided the initial impetus for The Downtown Show, curated by Carlo McCormick, currently on view at both the Fales and NYU's Grey Art Gallery, and its companion publication, "The Downtown Book". Less an art show in the traditional sense than a barrage of ephemera, periodicals, manuscripts and artifacts, richly supplemented -- for the most part -- by exemplary paintings and sculptural objects, and rarely seen early works by well-known artists and writers, as well as a glut of musical and performance/video documentation.

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Basquiat at the Brooklyn Museum

Because society is less concerned with understanding the meaning of artistic production than with promoting and profiting from name brand artists' commodities, it creates personal mythologies which insure the chosen's entry to the pantheon, all the more compelling if the artist has the good taste to die young. Keats, Kahlo, Pollock, Parker, Plath, Hendrix, Cobain, and thousands of other less recognizable names; usually some form of self-destruction is involved. ("Die young, and stay pretty", sang Blondie's Debbie Harry, who managed to avoid that fate.) In the 80s art world, the two meteors were Jean Michel Basquiat and Keith Haring. Hagiography blinds hindsight, and the meaning and method of the work of both these artists are ripe for re-investigation. Though both were associated early on with the East Village, both saw the world (and the streets) as a greater canvas, to be re-coded and interpreted through a personal yet largely accessible visual hermeneutics

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