Posts tagged film review
Gabrielle Union Lands Breakout Action Role in Thriller Breaking In

Throwing weapons and breaking glass are just a few of the things Shaun Russell does to rescue her children in the action thriller Breaking In. Gabrielle Union who plays Shaun takes on money seeking intruders using her wit and household weapons. Union, known for romantic comedy movies and the hit BET show, Being Mary Jane, takes on a new role requiring her to transition her drama techniques into physical warfare to defeat the burglars taking over her house.

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Trouble the Water

No human spirit, all toughness aside, could withstand watching Trouble the Water without tears of empathy, followed by boiling anger, growing conviction and the commitment to respond. Filmmakers Tia Lessin and Carl Deal, consistently credit this feeling of good will fueled by a desire to help, as what motivated them to race to the gold coast in the aftermath of Katrina. The long time collaborators with Michael Moore had experienced a similar impetus towards action after 9/11. Turning their lens outwards on their own Brooklyn neighborhood, they made The Family Divided, a compelling short about the backlash of racism and unjust deportations which affected many American-Muslims. Determined to react artfully and effectively, Lessin and Deal, armed with their cameras found themselves in New Orleans in search of a story.

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American Splendor

Most Hollywood films, take you on exciting thrilling car chasing gun fighting journeys where beautiful people meet and have sex with other beautiful people. And you get to go along for the ride. But afterwards you walk into the street, and back home to your apartment with your sick cat and your fat wife, and all of a sudden what you thought was an alright life seems pathetic and lame in comparison.

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Review of Scott Hicks' "Glass" by Tom Savage

About The Omnipresent Phillip Glass Glass: A Portrait in Twelve Parts, a film produced and directed by Scott Hicks

This excellent documentary/interview film with and about Phillip Glass going down the Astroland roller coaster in Coney Island with a smile on his face. All those years of involvement with Buddhism and other spiritual traditions would seem to have paid off. But why subject one’s life to danger gratuitously? The question is neither asked nor answered. Glass claims not to be a Buddhist. Nevertheless he has a Buddhist teacher named Gelek Rinpoche and is on the boards of numerous Buddhist organizations including Tibet House and a magazine I get four times per year about Buddhist topics called Tricycle. The film features Chuck Close, the famous artist who paints portraits mostly in black dots that look like blown up photographs. Close has known Glass for many years[...]

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A Review of Palindromes, or "TODD SOLONDZ WANTS TO MAKE MY EYES BLEED!"

Todd Solondz's fourth film, Palindromes, is a success. Well, it is a success in that I left the theater feeling sick and hating everything. But, since this film takes place in a world where all humans are weak, awful creatures incapable of growth or change, I can only assume that nauseating the audience was among the director's stated objectives. So, good job, Mr. Solondz!

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Violation of Youth: Transcendence Through Destruction

Clark's films generally follow a male perspective, females existing mainly as foils for the males. In fact most of the major female characters in both Kids and Bully are raped. In Kids, Casper, to emulate the sexual mastery of Telly, rapes the peacefully sleeping Jenny, in a long, explicitly jarring scene. The defilement of Casper primarily intrigues Clark, however, the camera focusing on Casper's bewildered face the next morning as he asks "what happened?" Amidst all his drugs and debauchery, only the malicious violence of rape exiles Casper from innocence, from childhood. Looking back, Telly's pursuit of virgins can be seen as a subliminal compulsion to destroy innocence that is made even more profound by the fact that he is HIV positive.

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Ambiguous Morals Are Trendy: Maria Full of Grace

Maria Full of Grace was not a movie I was particularly interested in seeing. A film about a seventeen year-old girl who traffics drugs? It sounds like a bad episode of a teen drama. And critics in general have a habit of applauding movies that tackle 'serious' issues, while ignoring their artistic merits. It makes them seem multicultural, I guess. However, I am happy to admit that in this case I was completely wrong.

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Knowledge Is Power But Math is Still Boring

This past year, documentaries finally became major players at the box office. Fueled by such high-profile, controversial films as Fahrenheit 9/11 and Super Size Me, the ainstream ultimately learned to love documentaries. No longer doomed to limited release in art house theaters, the general public got a taste of an underappreciated form of filmmaking.

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Review of "Firedancer"

A vast landscape stretches to eternity. A dark night finds a little boy running from his home.Cut to: New York City 2000. Haris, a stylish Afghan-American artist living in Chelsea is haunted by a traumatic past. He tries to interpret his visions in his artwork but needs more clarity. Flashback to: Kabul, Afghanistan 1979. A young Haris wakes to gun fire. His father tells him to run and sends him off with a prayer and a promise not to return home. His legacy begins.

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Pinero

Interesting how late seventies and eighties urban history is handled in the movie "Pinero." The movies producers and director/writer confirm a prediction made by Nuyorican Poet's Cafe co-founder Miguel Algarin more than 25 years ago about efforts to bring Latino creativity into the mainstream, "I see a lot of waste because before the great Hispanic hit is going to come out you're going to have to break through all of the cliches." Miguel Algarin August 1977. The movie about Miguel Pinero's life reinforces the view no matter how creative Puerto Ricans in the U.S. are we're still a bunch of savages

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GONE

GONE is thick with visual layers. It is a wry look at family and friends, where 'digi-scape' meets urban monument to reflect a hidden landscape of the underground artist. The story is loosely based on a television series from the early 70's -- a real life TV docu-drama called An American Family staring the "Louds" -- and un-folds during a family reunion in New York City. In GONE Dougherty employs archetypal and cartoony characters that drawn from her personal life experiences to tell a story that speaks to the New York fringe. She draws on a world of homegrown talent whose life stories blur with the real and imagined. Painter Amy Sillman plays a visiting mother and musician Frances Sorensen, plays Lance's ambiguous live-in "other."

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Monster

In the end it was Aileen that really made the decision to die, not the courts. She said, "Let God be my judge." She didn't fear death. Aileen Wuornos lend a lonely life, clinging to the only intimacy she ever saw, and when that was taken from her too, she took her sentence, and cursed out the judge that gave it to her.

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