Tova Greene

ode to my love learning how to rollerblade
after Ross Gay



it’s a day after the spring equinox &

crocus buds are splitting through

the winter-torn soil & since the

robin’s red belly is turned towards

the sun shining through the

branches of the large elm tree

I suggest you bring out the

rollerblades I bought you for

Hanukkah, tag still on & stuffed

in the back of the closet since

December — we settle on a bench

in Prospect Park so you can buckle

& strap yourself in — about to take flight

I ease you onto your legs shaking like

a giraffe just-birthed — I kiss your

stomach now at my head height

— you laugh & bite your lip in

concentration, calculating

the right speed & velocity & angle

of your movements in your meticulous

mathematical mind — you test how to

brake, squatting with your right leg

thrust forward — ankles tired you

rest in first position — we shoo away

small sticks from the sidewalk

so you don’t trip — between sips

of matcha I hold your hand as we

traverse from one side of the path

to the other, dead leaves piled up

from the past months on either side

to break a fall that never comes —

when you windmill your arms & sway

forward & back I think of thelithe limbs of a willow tree, as even

on tiny wheels you keep me rooted

to earth — I joke that if it were me

I would have broken a bone by now,

but you, helmet on tight, blue eyes

sparkling in the newborn spring,

can teach yourself anything — how

to fix a shoe or sew on a button or

spatchcock a chicken — so of course

10 minutes in you are already cautiously

— with the smallest possible glides your

long legs will allow — skating to me.




Tova Greene (they/them) is a Brooklyn-based producer and poet-person. As the Chief Programs Officer of The Poetry Society of New York, they create immersive poetry wonderlands—such as The New York City Poetry Festival & Poetry Camp—that prioritize collaboration and artistic experimentation. Their events have garnered acclaim from outlets including The New York Times and Observer. Their debut collection, lilac on the damned's breath (Bottlecap Press, 2022), grapples with the cyclical nature of grief.



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